Jean Loron and the Quiet Rebalancing of Beaujolais
Replanting, white wines, and a long-term vision from Beaujolais to Mâconnais.
Across Beaujolais and into the Mâconnais, the house of Jean Loron is engaged in one of the most substantial vineyard renewal efforts seen in the region in recent years. Fifty hectares are being replanted, forty of them concentrated around the Château de Néty, a move that speaks less of expansion than of recalibration. This is not about increasing volume, but about redefining the structural foundations of the estate’s wines.
Jean Loron today is present on eight crus of Beaujolais, including Château de Bellevue, La Terrière, and Domaine de la Pirolette, while also maintaining a firm foothold in the Mâconnais through Auvigue. This geographical spread allows the house to work across a wide range of soils and exposures, from granite-driven crus to limestone-rich Chardonnay terroirs further south. The current replanting programme reflects a desire to bring coherence to this diversity by rethinking plant material, density, and vineyard layout with the coming decades in mind.
At the centre of this strategy stands Thierry Bellicaud, whose leadership has quietly shifted the focus of the house. His presence on the Beaujolais blanc commission at Inter Beaujolais is more than a technical appointment; it signals a clear orientation. White Beaujolais, long treated as a marginal category, is increasingly viewed here as a structural pillar rather than an ancillary curiosity. The investment in Chardonnay parcels around Néty underlines this conviction.
The decision to replant on such a scale inevitably entails patience. Young vines impose restraint, both in yields and in immediate commercial expectations. Yet this restraint aligns with a broader movement in Beaujolais, where quality gains are increasingly driven by vineyard work rather than cellar intervention. By concentrating plantings around a historic core and aligning them with a clearer stylistic ambition, Jean Loron is effectively anchoring its future wines in place and time.
What emerges is a house attentive to balance: between red and white, between Beaujolais and Mâconnais, between inherited sites and renewed vineyards. In a region often discussed through the prism of stylistic revival, Jean Loron’s current choices suggest something more structural. The replanting of fifty hectares is not a statement meant for the short term, but a quiet assertion that the next chapter of Beaujolais will be written first in the soil.

